This portrait was drawn with Faber Castell Pastel Pitt Pencil on Daler Rowney Ingres paper and measures 16″ x 12″ / 40 x 30cm. I have drawn or painted so many Vizsla portraits and for a breed with virtually no variation in colour or markings it always amazes me how different they all are! RoryContinue reading “Rory the Hungarian Vizsla”
This portrait was drawn with Faber Castell Pastel Pitt Pencil on Daler Rowney Ingres paper and measures 16″ x 12″ / 40 x 30cm. The reference photograph for this portrait was quite blurred, but the large paper size allowed me to add in a higher level of detail.
Reef’s portrait measured 8″ x 6″ / 20 x 15cm and is drawn with Faber Castell Pastel Pencil on Daler Rowney Ingres Pastel Paper. I didn’t add a base of lightly coloured pastel to bring smoothness and light while starting this portrait as I would on a larger sized portrait because I wanted to avoidContinue reading “Reef the Hungarian Vizsla”
Freckles’ portrait was drawn with Faber Castell Pitt pastel pencil and Unison soft pastel on Dalek Rowney Ingres paper. It measures 12″ x10″ / 30 x 25cm.
A collection of my art featuring people, all have been drawn with Faber Castell pastel pencil and Unison soft pastel on Daler Rowney Ingres paper.
For Stanley’s portrait I worked from a fantastic reference photo taken by Gail Fogarty.
Based on the French verb gicler which means “to squirt or spray”, giclée printing involves squirting microscopic dots of specialist archival pigment ink onto high quality fine art paper with exceptional accuracy.
Even though I have lots of Hungarian Vizsla products a Wire Haired Vizsla was missing, and was one of the breeds suggested which I thought was a great idea. Hettie’s mum put forward this great photo to use as a reference.
Unless I am drawing a large or complicated piece, I prefer to do a simple sketch first and then change or tweak anything I’m unhappy with as I add layers of pastel. Mia’s markings really threw me off with this one however, the white on her muzzle kept tricking me into thinking everything was crooked! You can make out the several faint pencil marks of previous attempts on this sketch.
I started with a simple, very faint sketch in blue pastel. Once I was happy with the layout, I then added a layer of ivory colour for the background with Faber Castell pastel pencil to create a smoother surface for blending.